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Armani Privé Haute Couture A/W 2015 -2016 Collection – Giorgio Armani expressed his creativity through his gorgeous design!

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Armani Privé Haute Couture A/W 2015 -2016 Collection – Giorgio Armani  expressed his creativity through his gorgeous design!
Paris Haute Couture Week, 7 July 2015.
Giorgio Armani decided to view his Fall/Winter 2015 haute couture Armani Privé through rose colored glasses. Actually, let’s make that shocking pink glasses, as the Italian designer proposed a collection that was all about neon tinged afterhours colors and textural transformations.
All of the sartorial hallmarks the world has come to know and respect from Armani were apparent on his catwalk. The perfectionist tailoring, the bold jewelry, the shimmering eveningwear, a healthy dose of velvet, a fair share of feathers, and some serious statement hairdos.
But as Naomi Watts, Clive Owens, and Emmanuelle Béart looked on, it was the impressive play of vibrant colors deftly muted or exploited by the designer that was the novelty of the night. Many of the looks, from a sharp shouldered blazer in a degrade of silk Lurex and a full speckled jacquard skirt to a shaded silk buster dress or one in tiers of gauze, shot through with an assortment of colorful shimmering wool, explored a sophisticated color play.
Watching the collection unfold, it was almost as if Armani had captured the undulating beauty of neon lights from a dance club reflected in the inky black puddles on a rain slicked asphalt. Their harsh reality softened by the designer into something elegant and just a tad louche.
The other major story of the collection was the textural nature of almost every outfit. Shaded feather, fringing, or three-dimensional beading made the ensemble more tangible and tactile.
Combined with the rich color palette, the clothing in this couture collection was, to say the least, impressive.

  “I wanted to express my creativity!”said Giorgio Armani  during a preview of his Armani Privé collection. 

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Chanel Haute Couture A/W 2015-2016 Collection – Karl Lagerfeld – The Genius!

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Chanel Haute Couture Autumn/Winter 2015-2016 Collection was shown today morning, in Grand Palais.
Karl Lagerfeld transformed the Grand Palais inside in the Chanel Haute Couture Casino.
Karl Lagerfeld has previously transformed the Grand Palais in Paris into an ice palace, a couture supermarket and an underwater wonderland for his Couture shows – so what the Genius Karl Lagerfeld had for today morning?
Here we are:
Karl Lagerfeld installed an entire working casino in Paris’s Grand Palais for the Chanel haute couture show this morning. It felt as if it had been there forever, testimony, surely, to this house’s power. Guests filed in and were met by fully operational one-armed bandits. Coins were provided. 555? Jackpot!
As if that weren’t enough, the lights went up and out came Geraldine Chaplin – styled as Coco Chanel – Julianne Moore in emerald velvet, Rita Ora in liquid silver, Kristen Stewart in a little black dress, Vanessa Paradis in shimmering gold, Stella Tennant, Lara Stone… The list went on. All took their seats at roulette tables centrally placed and overhung by chandeliers and began their games.
In fact, they were wearing a collection specifically aimed at celebrities. Perhaps the most extraordinary thing about this, the mother of all productions, then, was that when the first looks from the couture collection itself emerged the focus moved away from even this superstar line up and was directed entirely on these, the world’s most magical clothes.
The quilting on the opening sequence of Chanel suits was achieved blending the time-honoured craftsmanship of the couture ateliers with Selective Laser Sintering, a relatively new technique that gave garments a moulded and very slightly futuristic quality all while preserving the great Chanel codes. They were beautiful and in no way gimmicky.
These were followed by softer pieces in ivory, blush and eau de nil with crystal and feathered embroideries applied in the traditional manner that – equally – took the breath away.
As the aforementioned A-listers, gambling away happily throughout, went to prove, this is a house that caters to the needs of  the discerning customer of all tastes and ages: the more traditional among them may prefer a boxy jacket and straight, knee-length skirt, for example. She will be spoilt for choice. Her daughter, meanwhile, might go for bouncing, bell-shaped confections. Again, she won’t be disappointed. Moreover, that same lucky girl could – and some might argue should – decide to be married in a trouser suit as opposed to the traditional haute couture meringue. Kendall Jenner, the bride on this occasion, certainly showed how that might best be done.
Marvellous.
And the Casino night has never looked so chic.
We can safely hedge our bets that this was THE SHOW of Couture Week.

Runway – Paris Fashion Week – Haute Couture Fall/Winter 2015/2016

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Giambattista Valli Haute Couture A/W 2015-2016 Collection – *Flower Obsession Ball*

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Giambattista Valli Haute Couture Autumn/Winter 2015-2016 Collection – *Flower Obsession Ball* at the Opéra Garnier.
Celebrating ten years in the business, Giambattista Valli ended the night with an extravagant „Flower Obsession Ball“ at the Opéra Garnier, complete with a floral dress code, colorful blooms projected onto every surface, and a brand new set of M.A.C. lipsticks in hues inspired by the pinks of his haute couture. But before that, the designer’s 9th haute couture was par for the course. Flowers and colors are what women want from Valli, and that’s what they got, to a point.
Clinical neons above the runway gave the black-and-white triangles of striped carpeting a very dizzying Op Art glare. The opening looks were like ruffled spores, sculpted hemispheres clinging to hems or to the backs of models. Soon enough, they blossomed out into the breadth of his glamorous silhouettes. Lean pairings of long tunics over slightly flared pants kept things more Slim Aarons than Flower Power, proposing a more grown-up notion. Short shifts had a bit of kick to them, showing enough leg to satisfy the younger Valli girls. Not that it would matter, but there were even embellished „t-shirts“ hiding under honeycomb embroideries and other ruffles.
The pure lines of his designs, with a vaguely Sixties flavor to them, gave plenty of space – and fabric – to elaborate surface adornments. Although the flower motif, that habitual Valli signature, was everywhere, his blooms this season were not always of the natural variety. Glass flowers and raised embroideries of vines crawled up available surfaces. Crisp looking petals stuck out. Even the printed lilies-of-the-valley were artistically digitized. Likewise the color palette – you could see where the lilac and orange had come from. Black and white threw yellow and green in stark contrast. It was the future of flora, seen through the crystal-adorned round lenses of retro-modernity. For all the twinkling, sparkling, shimmering (all those giant silver rhodoids, beads and crystals, marabout trims), it was as slick as a glossy picture, more ritzy than romantic.
By the time the show came to its ball gowns, the closing group, their lengthy flurries of tulle ruffles trailing behind them, looked almost blowsy from their effort of being in full bloom, an effort as intensive as the energy required to drag that much tulle down the carpeted runway. Perhaps the length of the runway diluted their effervescence somewhat, but from the applause, there was still plenty of fizz to go around.

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Round-Up – From Haute Couture Spring/Summer 2015 Shows. Waiting of tomorrow, Haute Couture Fall/Winter 2015-2016

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HAUTE COUTURE, Round-Up Spring 2015 collections. WAITING of New Appointment-
HAUTE COUTURE Fall/Winter 2015-2016 Collections will be shown from 5 July 2015 till 9 July 2015 in Paris.
The most important appoinment in the Fashion World will start tomorrow!
Costume and Fashion history would not be the same without Haute Couture.
Haute Couture is a French phrase for high fashion.  Couture means dressmaking, sewing, or needlework and haute means elegant or high, so the two combined imply excellent artistry with the fashioning of garments.  The purchase of a haute couture model garment is at the top level of hand customised fashion design and clothing construction made by a couture design house.  A model haute couture garment is made specifically for the wearer’s measurements and body stance.  The made to measure exclusive clothes are virtually made by hand, carefully interlined, stay taped and fitted to perfection for each client.
Waiting of tomorrow i want to take a look  of  some Haute Couture gows from different Designers.
Vers 001
Atelier Versace
Vers1
Atelier Versace
Vers
Atelier Versace
Schiaparelli
Schiaparelli
Schiaparelli 1
Schiaparelli
Schiaparelli3
Schiaparelli
Giambattista Valli 001
Giambattista Valli
Giambattista Valli 01
Giambattista Valli
giambattista Valli2
Giambattista Valli
Jean Paul Gaultier 1
Jean Paul Gaultier
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Jean Paul Gaultier
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Jean Paul Gaultier
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Christian Dior
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Christian Dior
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Christian Dior
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Elie Saab
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Elie Saab
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Elie Saab
chanel 1
Chanel
Chanel3
Chanel
chanel4
Chanel
Chanel5
Chanel
ARMANI prive 5
Armani Privé
ARMANI PRIVE 7
Armani Privé
Armani Prive
Armani Privé
ARMANIPRIVE 6
Armani Privé
Valentino1
Valentino
Valentino2
Valentino
Valentino3
Valentino
Valntino4
Valentino

Menswear Spring/Summer 2016 -Maison Margiela Collection.

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Maison Martin Margiela Menswear Spring/Summer 2016 –

Paris Fashion Week, June 26,2015 .
The collection is great, is Maison Margiela had a minimal moment with its spring-summer 2016 menswear collection. Always known for its tailoring and experimentation, the fashion brand approached the season with a more wearable attitude.
John Galliano’s appointment as Creative Director of Maison Margiela last October resulted in huge hype and anticipation. There was no sign of it subsiding in the run-up to Friday’s presentation of the brand’s spring/summer 2016 menswear collection in Paris. There was only one problem. No involvement from Galliano. Moments before the show began, Margiela representatives confirmed this collection was designed by the design team or, in brand parlance, “the collective”. The sense of anticlimax was understandable.
Galliano’s influence would have meant a kind of flamboyance. Famous for post-show outfits that have included an astronaut and a matador, this fantastical approach – and penchant for catwalk drama – has fuelled his menswear designs. By contrast, the clothes here were wearable, even quite conservative, particularly for a house that, since it was founded by the Belgian designer Martin Margiela in 1988, has showcased all manner of catwalk oddness – including masks, oversized fur coats and jewelled vests for men.
There were beautifully cut, slim, sharp suits, and easy sportswear in hooded tops and simple sweaters. A few elements marked out the collection’s Margiela-ness: rubber tops with paper patches like papier-mache, drawing-pin detailing on jacket lapels, and beaten-up boots. The result was a fairly typical mix of minimalism, hand-finished details and deconstructed classics. Not quite the Galliano reboot some were hoping for, but a perfectly nice collection.
That overhaul will come, Margiela representatives promise, but Galliano’s input at the house will be a gradual process rather than an immediate shakeup. This is the third show season since the designer officially took over at the house, part of Galliano’s wider rehabilitation, in part supported by his friend the American Vogue editor, Anna Wintour. His Margiela collections to date include couture and women’s ready-to-wear.
Same time….
Interview with Renzo Rosso:
Working with John today is like having another atmosphere, everything inside the company is so magical now, even when you open the door you can feel the vibrations and now we are back with a fantastic energy and it’s so, so nice, so exciting, and also so lovely to be working with John. You can see that John started to give us some input, it’s still Margiela, very Margiela for me, thanks to Staff international, and if you can go to see closer one by one the product and look at the quality of the products and also we improved the quality of the materials and the fashion touch from John is unbelievable. It’s still Margiela but also John, so that’s great.“  Copyright : Paris Modes Productions

#maison margiela #menswear #pfw #fashionbloggerin #syuzenapitz #Fashion #trends

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