Prada Spring/Summer 2016 ready-to-wear collection designed by Fabio Zambernardi – Milan Fashion Week

24/09/201526/09/2015 | Syuzena Pitz

Prada Spring/Summer 2016 ready-to-wear collection designed by Fabio Zambernardi was shown tonight, September 24,2015 ,in Milan Fashion Week.

Subverting traditional classics: That was the line transmitted about the Prada collection by design directorFabio Zambernardi backstage in the absence Miuccia Prada was unable to be at Milan Fashion Week this season due to the passing of her aunt.

Anyway Prada knows how to divert us. She is playing with us again. The non-pointedness to so much of this collection, with its crushed and recrushing of so many references, was the point. Her work is so much more than fashion – yet Prada appears to be purposely sabotaging her own medium, time and time again. She wants us to know this is a dream not worth having, yet she makes us want to buy that dream back from her. Dowdy fifties housewives, complete with sheer duster coats, were covered to the neck in macramé ponchos. They had a veneer Victorian melancholy, when regarded upwards from the neck. Vinyl Formica stripes and cork relief prints placed our housewives within the setting of a mid twentieth century suburban nightmare. But exactly all this made the collection so interesting!

Agree,it is not exactly summer wearable but Miuccia Prada pays no heed to weather-appropriateness. In her global view there is as much need for pieced fur coats in summer as there is for skimpy silk slip dresses, which she optionally layers over chunky knits.

At the final part of thee Show we could see coats in metallic snakeskin and suede stripes, and beautifully desirable organza suits and coats decorated with outsize transparent pailletted flowers. And those Looks we will see all around the world, maybe in young Hollywood, during the weedings or parties.

Emilio Pucci Spring/Summer 2016 ready-to-wear collection designed by Massimo Giorgetti- Milan Fashion Week

24/09/201526/09/2015 | Syuzena Pitz

Emilio Pucci Spring/Summer 2016 ready-to-wear collection designed by Massimo Giorgetti- Milan Fashion Week.

It is a first ready-to-wear collection designed by Massimo Giorgetti for Maison Emilio Pucci.

Massimo Giorgetti is young italian designer, founder of the a MSGM Brand. Giorgetti had shown us today his first collection he brought a fresh spirit to the Brand.

Marchese Emilio Pucci opened his first store in Capri, in 1949, serving up kaleidoscopic printed dresses that by the ’60s had become signifiers of a jet-set which were abituated to spend the vacations on Capri.

And for his debut Giorgetti started at the seaside, which was the right instinct: as the birthplace of Pucci, it was a natural place for a new beginning. Giorgetti trawled the seas to bring us pieces inspired by the big blue. Mesh griddled trousers like nets had appliqué embroidered starfish, crabs and turtles caught upon them.,it looks very playful. The glamour that ruled under Dundas’s tenure was replaced by Giorgetti’s desire for cool and trendy. The combination of some great marabou feather flat sandals, placed with a sporty black and white op art dress showed promise These Looks are encouraging . Breaking the formulaic approach to this print based house, with its roots in the glamourous scene of seventies Capri, will be challenging. But Giorgetti made the wise move to translate the house’s prints via embroidery and structure. It is a good start!

Rember that the character of Milan is shifting. It is no longer Prada and Marni that stand for intellectual eclecticism. Gucci now also wants to be part of that subversive bookish gang and Pucci is perfectly placed to join the new vanguard. Giorgetti has not earned membership yet, but for sure he does.

Fendi Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

24/09/201524/09/2015 | Syuzena Pitz

Fendi Spring/Summer 2016 ready-to-wear collection was shown Milan Fashion Week, September 24.2015.

As always Karl Lagerfeld and Silvia Fendi come up with for their Spring/Summer collections considering that this is a Brand famous for its expertise in the leather and fur , who cares that this two materials must be wear in the cold weather.

About collection:

Big sleeves and high necks, there is an Edwardian Inspiration in Fendi collection ,even slouchy bombers getting a historical and voluminous revamp with billowing leg-of-mutton sleeve Action.The colours are red, coral, white, and is moves on through to teal and black. Pockets and brace details are thickly stitched into place or appeared stapled ; cut-outs flashed flesh so that an expanse of back is reveale behind or at the waist; thick suede latticework for neat boxy jackets; gleaming petals punctuating bodices.But this toughness, this edge, was counterbalanced by those billowing blouses and gowns that invited a breeze to pass on through them. And as always at a Fendi show, the eye is on the lookout for new-season accessories. Here boxy bags held in the hand with just a hint of a strap to slip your fingers through to keep them close at all times – for, let’s face it, you never really want to let a Fendi bag out of your sight!

Max Mara Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

24/09/201524/09/2015 | Syuzena Pitz

Max Mara Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 24,2015.

This season the muse role is played by sailors of the sea. A masculine genre, which alsways looks great on confident women who prefer comfort over frivolous trends. But what is really enticing about the mariner theme itself, is that it conjures a spirit of travel, new beginnings, and escapism. Huge duffle sacks were ready for a summer voyage , rope cord fastened through the necklines and trousers were brass-buttoned for On The Town Appeal. Stripes in red and blue of course ticked the nautical box; and T-shirts sported inky porthole illustrations.

Francesco Scognamiglio Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

24/09/201526/09/2015 | Syuzena Pitz

Francesco Scognamiglio Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, in the Piazza Duome, Salone Arengario. September 23, at 8.00 p.m.

Scognamiglio is very famous in Italy (and around the world) His clothes are the conviction with which he speaks. The press likes him and the press release published a quote from him, saying how delighted he is that fashion has the ability to continue the storytelling of Italian excellence. This country takes fashion extremely seriously, and many think Milan is still the international capital of fashion. Does it have the best fashion designers in the world- maybe, for sure the most of the best Fashion Maisons are italian… Is it the home of the best sculptors in the world, of all time- yes. And this we saw at Scognamiglo: sculpture coming alive, as wearable Fashion.

Francesco Scognamiglio Born in Naples and he is deeply in love with Naples, the city of staggering beauty and louche-ness, opposites that coexist in a web of inextricable contradictions. This clearly feels quite natural for the designer, who delves with abandon into Naples’s history and decadent heritage for inspiration. All that was apparent in his Spring collection, in which he referenced the esoteric Sansevero Chapel, a 16th-century masterpiece that hosts the statue of the Veiled Christ—a marble wonder that looks so incredibly real, as if it were made of actual flesh draped in the thinnest of fabric. “Theater, mirrors, artifice,” said the designer backstage, pointing out wispy, ruffled dresses in white and shell pink, light as a feather and almost liquid in their sensuality. Transparent Chantilly lace and inconspicuous point d’esprit conjured up a romantic feel for fluctuating long dresses, exuding reminiscences of boudoirs and 18th-century courtesans—yet they were slashed, layered, and multitiered to modern effect. Black silk mikado jackets with round shoulders felt more substantial; they came inlaid with graphic intarsia inspired by peeling stucco ceilings that looked like cracks through which a delicate jade green lining could be glimpsed. Dresses in white or black liquid satin were printed and embroidered with an oversize iris motif and adorned with an abundance of rosette appliqués; they balanced the overall barely there effect and the nude transparencies of the lineup. The craftsmanship was undoubtedly exquisite. It makes sense that Scognamiglio—backed by a new investor, Malaysian entrepreneur Johann Young—will debut his Haute Couture collection in Paris in 2016, where he’ll finally fulfill a childhood dream.