Valentino Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

At Valentino, on the penultimate day of Paris Fashion Week, the fashion Insiders stopped  filming and snapping photos with their phones  and they  and gave Grazia Chiuri and Pierpaolo Piccioli  not just a well-deserved round of applause, but a cheering standing ovation..
Grazia Chiuri and Pierpaolo Piccioli made a research which resulted in the gorgeous fusions between Italian and African traditions. They met in the textiles and tailoring and the way the roman influences Chiuri and Piccioli had used in their couture show segued into tribal treatments—the strips of leather that began as a Gladiator reference became studded; the roman sandals gained carved ebony heels; the pagan necklaces of their former show now appeared in white ceramic, suggesting abstracted teeth or shells; and the house expertise in embroidery produced tiny beaded Masai-derived patterns and bold peacock feather trims.There were also the  african prints depicting tribal scenes of leopards, rhinos, giraffes and elephants, kinetic geometric tribal markings, while cuffs and necklines exploded in quills and peacock feathers. Fringing is a mainstay here and it swished in tiered raffia to make up a coat, and from suede miniskirts and capes. A series of tie-dye pieces – a jacquard coat, cargo jacket and pair of flares were also standout. And then came the fragile lace maxi dresses, so delicate they could almost evaporate right there and then.  More prêt-a-couture than ready-to-wear, this collection never pandered or dumbed down its chosen theme.

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Menswear Spring/Summer 2016 – *Valentino* Spring/Summer 2016 Collection. Paris Fashion Week.

*Valentino*  Spring/Summer 2016 Collection by Maria Grazia Chiuri and Pierpaolo Piccoli , creativ Directors
Paris Fashion Week 24 June 2015

About Brand *Valentino*:

After the departure of Valentino Garavani, in 2007, the company’s new owners, private equity firm Permira, struggled to find the right creative leadership for the business. Though still a red carpet favourite, the brand was unable to reclaim the international cachet it once had. But since 2008, when Maria Grazia Chiuri and Pierpaolo Piccioli took the reins as co-creative directors, the duo have taken the fashion industry by surprise, breathing new creative energy into the brand and rocketing Valentino back to the forefront of fashion. Sales have improved, and lucrative accessories now account for nearly half of sales in some stores. They have also revitalized the menswear Business.

This collection was packed with normal items that normal men will want to wear – great bombers with fun details on the back, jean jackets, Hawaiian shirts, army coats. But there was a strange air of forced nonchalance – you saw it in those souvenir jackets and you saw it in the way the show notes promised the pieces were ‘pages of a thrilling diary to be worn.‘ That’s the one thing box-fresh clothes don’t have: stories. That’s why our old favourites have such meaning – they carry with them memories. So, sure models wore jeans, but these clothes were too considered to be truly carefree or rich in narrative. Valentino is about couture-level detail, craft and luxury – when they began their menswear they even branded it ‘Couture’. They’re not the only ones trying to make new clothes look old to emphasis their value or insouciance this season, but they’re at their best when they don’t try to justify their pieces by styling them down.

Here are some Runway *Looks* i choosed to post :

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