Gucci Pre-Fall 2019

My feelings, my thoughts… my love.. my #lifeisGucci … I’m still in love with Alesandro Michele’s vision of Gucci. The best and the unique… i still remember Michele’s Gucci menswear Fall 2015- first collection, made in 5 days , probably… his first Gucci womenswear collection for Fall 2015, January 2015 … breathtaking… On every seat were left the notes which were quoted the Italian philosopher Giorgio Agamben: „Those who are truly contemporary are those who neither perfectly coincide with their time nor adapt to its demands…Contemporariness, then, is that relationship with time that adheres to it through a disconnection.“  … it was in February 2015 …. how many collections and how many looks did we see in this so long but same so short time? Every collection or collaboration collection, every single look , it was and it is a perfection, it is a storytelling through the fashion…

Back to Pre-Fall 2019. As always every look is treated as a sort of mini story. There are caftans—the best in exotic, rich brocades and three piece printed suits in which blazers were worn over elongated tunics for a layered silhouette.  The evening looks are sublime, with featuring Poiret-inspired velvet tabards embroidered with starry skies, and ball gowns dripping with sequins. There are 86 looks in the Gucci Pre-Fall 2019 collection, i downloaded as much as i can, i would like to show you all looks and every single detail of this beautyful collection!

The lookbook images were shot by photographer Harmony Korine in the archaeological parks of Pompeii and Herculaneum, both UNESCO World Heritage Sites in southern Italy.
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Photos : Harmony Korine / Courtesy of Gucci

Gucci Pre-Fall 2017 : Colourful Ballad with Fantasy elements signed Alessandro Michele.

Nothing is conventional and ordinary in Gucci Pre-Fall 2017 collection; everything is peppered by a surprising details a Alessandro Michele’s magic touch.Flying carpets, fire-breathing dragons, enigmatic panthers are only some of the elements in Gucci’s Pre-Fall fairy tail. Michele’s collection bring us in  different worlds, ages and cultures.Opulent evening dresses, tracksuit-inspired leggings and sweatshirts  and shirtdresses in a patchwork of 60ies style patterns till knitted cape with embroidered bunnie.There is more that 80 looks which  are finishing with embroidered boots and sparkling flats. Bags come in oversized totes as well as leather miniatures tied around the waist.  Simply fantastic!

 

 

Images courtesy

Chanel Spring/Summer 2017

See the Chanel S/S 2017 collection. The show review will be posted shortly.

 

 

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Dsquared 2 S/S 2017 : Dean and Dan going chic und rocking last day of MFW

There  were infinite variations of the same entertaining but overplayed theme in Dsquared2 spring/summer 2017 collection. Denim and the fabulous tops and jackets, the following  look blended ripped denim jeans defined by sequin and top with Swarovski peppered, leopard print leg-of-mutton sleeves against a dark body with an engraved crest, there was a glorious recklessness in the bags piled upon bags and the heaped layering of ribboned jewelry on glinting sparkle and animal snarl. Too chic the new Dsquared2 but we love it! Keep rocking!

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Versace Spring/Summer 2017 : Sporty , sexy and glamorous

Versace S/S 2017  is about the nylon techno fabrics which are threaded with drawstrings, pulled and ruched into a couple of asymmetrically sexy dresses in green and navy blue.Is about  rainwear  chopped into an awesome jacket and matching miniskirt diagonally bisected with snaps; leather  blouson with souped-up nylon track pants.Versace is a Naomi Campbell on the runway.
But first see the collection, the show review will be posted later.

 

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Mary Katrantzou Spring/Summer 2017 collection or returning to her design roots.

Katrantzou’s earliest collections, rich with dazzling trompe l’oeil, created one of the most distinctive design signatures of the past decade, so distinctive, in fact, that her efforts to move on have been dogged by that early success. With her spring/summer 2017 collection, Mary Katrantzou  snapped back to own who she is: a great print designer, and a Greek one.“It’s funny, I never wanted to use classical Greek art, because being from there, it seemed too obvious,” she said with a shrug after her show. “But this time, I thought, ‘Why not?’She looked back to her childhood visit to the ancient palace of Knossos, on Crete, the center of the Minoan civilization. Mary Katrantzou transposed the profiles of Minoan  goddesses   onto the bodices of dresses  and  printed them onto shimmery chain-mail tunics.

 

Images by INDIGITAL

London Fashion Week :Gareth Pugh Spring/Summer 2017

The night before this show, the opera Eliogabalo opened saison at the Palais Garnier, in Paris, with 60 costumes designed by Gareth Pugh. Seems that the Pugh’s work for the opera wound up informing his new collection. Anyway, there is  no beating a Gareth Pugh show for sheer showmanship -this season, he accelerated hard into that impulse, sending out numerous looks in bullion-like gold  These heavily decorated ensembles gave way to a collection notable for its atypical earthiness. There were the striped and sunburst-patterned looks which gives the Pugh aesthetic something new. The broad sundresses, caftans, and obi-belted looks struck an entirely original tone.

 

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Jean Paul Gaultier goes into the Nature :dark greens,intense browns ad wood prints for Couture Fall 2016 collection

Show review will be posted shortly. See Jean Paul Gaultier Haute Couture Fall/Winter 2016-2017  collection now.

 

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Genius John or Maison Margiela Artisanal Fall/Winter 2016

It is a renewed sense of outward-looking engagement in Galliano’s Maison Margiela Artisanal Fall/Winter 2016.His collection mixed up fragments of technical urban streetwear with references to French revolutionary times, including a swaggering military greatcoat and a tricorne hat, worn at a jaunty angle, which might almost have been purloined from Napoleon’s own wardrobe.All the followers  of John Galliano’s early work knows that the designer has had a career-long romance with French Revolution , which began with Les Incroyables, his graduation collection from Central Saint Martins, shown in 1984. In his new Artisanal Galliano even reffering back to his earlest work-it seems he reprised an idea for a muslin dress, embroidered with red lace from a collection he once did about the post-revolutionary Merveilleuses. In any case it is  Galliano’s love of the empire line in general was evident here.The collection felt like the best marriage yet of Margiela and Galliano. It has long been a Galliano-ism to put clothes on upside down and back to front, it is a part of his experimental mission to question tradition and find new forms in clothing,a process that he has extending into wrapping, draping, and twisting swags of fabric to create new volumes.It’s also an on-point participation of the world of young fashion nowadays.

 

Images :Indigital.tv