Balmain X H&M , print campaign photoshoot by Mario Sorrenti

There is 2 hashtags which Olivier Rousteing in his Instagram used , it ’s  #Balmaindiversity and #Balmainarmy.
Olivier Rousteing wants to give possibility for Young Generation  to wear Balmian,this is the poit of his collaboration with H&M. You will think, how can it be? or maybe-where is the difference, the prices in H&M can’t be same as in Balmain’s stores..The different is sure in the texture which was used . We will see.  Anyway on Dress is costs 499 euro, is only one example. And i’m sure the collection will be sold in a few hours ( you can see the full BALMAINXH&M Lookbook in the next article )
In Septemeber, Kendall Jenner, Gigi Hadid and Jourdan Dunn were fronting the print campaign to promote its new collection, in collaboration with Balmain. Photographer Mario Sorrenti.

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Louis Vuitton Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

Louis Vuitton Spring/Summer 2016 ready-to-wear collection, creativ director Nicolas Ghesquière.Vuitton get it right when it hired Nicolas Ghesquière who presented another stellar collection at the Frank Gehry-designed Fondation yesterday morning on the final day of Paris Fashion Week offering colored biker jackets and shiny Dresses.
A computerised voice introduced the spring/summer 2016 show as „A journey to the frontiers of the digital era“. A conversation between technology and nature animated the new collection, his most audacious yet for the LV  House.
Ghesquière’s cyberpunks wore moto jackets and metal-embroidered skirts, laser-cut leathers and beaded knits that coded like armor, and spaceship-print pants.  The materials looked high-tech but were actually not synthetics at all. What with the nailhead-embroidered peasant dresses, the crafty sweaters, and the festival-girl crop tops and shorts, Vuitton Spring looked a lot like a digital bohemia.Who knew where Ghesquière’s spirited parade of intergalactic punky girls were headed?
Front  row : actresses Catherine Deneuve and Michelle Williams, models also wore striped knits, shiny mesh tank tops, tops with ruffle collars, bubble skirts, jumpsuits and jodhpur-like trousers bearing colorful Patchwork.

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Valentino Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

At Valentino, on the penultimate day of Paris Fashion Week, the fashion Insiders stopped  filming and snapping photos with their phones  and they  and gave Grazia Chiuri and Pierpaolo Piccioli  not just a well-deserved round of applause, but a cheering standing ovation..
Grazia Chiuri and Pierpaolo Piccioli made a research which resulted in the gorgeous fusions between Italian and African traditions. They met in the textiles and tailoring and the way the roman influences Chiuri and Piccioli had used in their couture show segued into tribal treatments—the strips of leather that began as a Gladiator reference became studded; the roman sandals gained carved ebony heels; the pagan necklaces of their former show now appeared in white ceramic, suggesting abstracted teeth or shells; and the house expertise in embroidery produced tiny beaded Masai-derived patterns and bold peacock feather trims.There were also the  african prints depicting tribal scenes of leopards, rhinos, giraffes and elephants, kinetic geometric tribal markings, while cuffs and necklines exploded in quills and peacock feathers. Fringing is a mainstay here and it swished in tiered raffia to make up a coat, and from suede miniskirts and capes. A series of tie-dye pieces – a jacquard coat, cargo jacket and pair of flares were also standout. And then came the fragile lace maxi dresses, so delicate they could almost evaporate right there and then.  More prêt-a-couture than ready-to-wear, this collection never pandered or dumbed down its chosen theme.

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Chanel Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

For the occasion, Lagerfeld  transformed the Grand Palais into a mock airport terminal complete with baggage check, numbered gates, a departures and arrivals board  which listing past Chanel destination show locales, and baggage carts stamped with double-C logos. In the front row were Chanel muses  : Lily-Rose Depp, Vanessa Paradis and Cara Delevigne.
And Edie Campbell opened the show in a multicolored tweed jumpsuit with silver sandals and a silvery headband, toting a black Chanel rolling suitcase and carryall.The airplane motif carried from the set onto the clothing and accessories, with one dress patterned like an arrivals board, and a sweater and pair of knit pants set in a repeating airplane intarsia. The red, white, and blue airplane pins that adorned some looks will make it possible for any ensemble to be ready for travel from the Chanel terminal.Many looks featured backward baseball caps. When they didn’t, the models’ hair was worn with several headbands and pulled back into two low pigtails at the nape of the neck.
Amidst the flowing dresses and loose casualwear came a section of proper ladies, ready to take to the sky in style. With sharply tailored tweed suits and iconic flap bags, these looks harkened back to a time when dressing up for travel was de rigueur.
And for his bow, Lagerfeld picked up two of his frequent collaborators from the front row, Delevingne and Hudson Kroenig  dressed as a Pilot, and walked with them around the set.

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Sonia Rykiel Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

Julie De Libran unveiled Sonia Rykiel spring/summer  2016 ready-to-wear collection.
Julie de Libran was greeting guests at the entrance of Sonia Rykiel’s Boulevard Saint Germain boutique yesterday.  A poster of a blue cocktail as an invitation, an abundance of colorful libations proffered up upon arrival at the show, a catwalk covered in glitter and a cool two-woman electronic band called C.A.R. singing elliptically in French mean just one thing: it’s party time at Sonia Rykiel and ist’s a Julie de Libran’s debut in the role of creativ director.She comes to Rykiel from Louis Vuitton, where she designed the preseason collections under Marc Jacobs.
De Libran has a light touch, Rykiel’s signature stripes materialized in many different guises: on tweedy tailoring, knitted fur chubbies, a belted organza peasant dress and the bikini underneath it, even on a basic V-neck. As a female designer, she can romance an easy three-quarter-length denim skirt or an army parka just as well as she can a sequined minidress, but by the end of the collection, things were very Glamour- there were a final series of richly colored sequin gowns. They will shimmer and sparkle even in the darkest corner of a european’s famous nightclubs. And for those who prefer a more understated boit de nuit alternative, de Libran has got them covered. Wearing a pair of silk pajamas covered in a delicate bird motif to go out dancing all night just sounds like the chicest thing going.

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