Emilio Pucci Spring/Summer 2016 ready-to-wear collection designed by Massimo Giorgetti- Milan Fashion Week

24/09/201526/09/2015 | Syuzena Pitz

Emilio Pucci Spring/Summer 2016 ready-to-wear collection designed by Massimo Giorgetti- Milan Fashion Week.

It is a first ready-to-wear collection designed by Massimo Giorgetti for Maison Emilio Pucci.

Massimo Giorgetti is young italian designer, founder of the a MSGM Brand. Giorgetti had shown us today his first collection he brought a fresh spirit to the Brand.

Marchese Emilio Pucci opened his first store in Capri, in 1949, serving up kaleidoscopic printed dresses that by the ’60s had become signifiers of a jet-set which were abituated to spend the vacations on Capri.

And for his debut Giorgetti started at the seaside, which was the right instinct: as the birthplace of Pucci, it was a natural place for a new beginning. Giorgetti trawled the seas to bring us pieces inspired by the big blue. Mesh griddled trousers like nets had appliqué embroidered starfish, crabs and turtles caught upon them.,it looks very playful. The glamour that ruled under Dundas’s tenure was replaced by Giorgetti’s desire for cool and trendy. The combination of some great marabou feather flat sandals, placed with a sporty black and white op art dress showed promise These Looks are encouraging . Breaking the formulaic approach to this print based house, with its roots in the glamourous scene of seventies Capri, will be challenging. But Giorgetti made the wise move to translate the house’s prints via embroidery and structure. It is a good start!

Rember that the character of Milan is shifting. It is no longer Prada and Marni that stand for intellectual eclecticism. Gucci now also wants to be part of that subversive bookish gang and Pucci is perfectly placed to join the new vanguard. Giorgetti has not earned membership yet, but for sure he does.

Fendi Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

24/09/201524/09/2015 | Syuzena Pitz

Fendi Spring/Summer 2016 ready-to-wear collection was shown Milan Fashion Week, September 24.2015.

As always Karl Lagerfeld and Silvia Fendi come up with for their Spring/Summer collections considering that this is a Brand famous for its expertise in the leather and fur , who cares that this two materials must be wear in the cold weather.

About collection:

Big sleeves and high necks, there is an Edwardian Inspiration in Fendi collection ,even slouchy bombers getting a historical and voluminous revamp with billowing leg-of-mutton sleeve Action.The colours are red, coral, white, and is moves on through to teal and black. Pockets and brace details are thickly stitched into place or appeared stapled ; cut-outs flashed flesh so that an expanse of back is reveale behind or at the waist; thick suede latticework for neat boxy jackets; gleaming petals punctuating bodices.But this toughness, this edge, was counterbalanced by those billowing blouses and gowns that invited a breeze to pass on through them. And as always at a Fendi show, the eye is on the lookout for new-season accessories. Here boxy bags held in the hand with just a hint of a strap to slip your fingers through to keep them close at all times – for, let’s face it, you never really want to let a Fendi bag out of your sight!

Max Mara Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

24/09/201524/09/2015 | Syuzena Pitz

Max Mara Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 24,2015.

This season the muse role is played by sailors of the sea. A masculine genre, which alsways looks great on confident women who prefer comfort over frivolous trends. But what is really enticing about the mariner theme itself, is that it conjures a spirit of travel, new beginnings, and escapism. Huge duffle sacks were ready for a summer voyage , rope cord fastened through the necklines and trousers were brass-buttoned for On The Town Appeal. Stripes in red and blue of course ticked the nautical box; and T-shirts sported inky porthole illustrations.

Gucci Spring/Summer 2016 ready-to-wear collection designed by Alessandro Michele – Milan Fashion Week

23/09/201524/09/2015 | Syuzena Pitz

Gucci Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 23,2015.

The incoming march of a new generation in Italy has began, and the fashion world finds itself standing back spectating on the sudden arrival of a multicolored, sparkly, life-affirming parade.

For his second collection at Gucci,Alessandro Michele presented a wealth of ideas that firmly and strongly built on what he started to show us his intentions were last season.Michele is having none of the slick Gucci aesthetic that descended down through the tenure of his predecessor and former Boss, Frida Giannini.For sure this collection going to be one very desirable collection and one that will have significant impact on the season ahead.It was his blend of geek-chic still but with solid Gucci accessory references and everything was amped up – from colour to decoration, frills and glitter, shine, sequins and embroidery which dazzled down sheer column flounced dresses or climbed and wound round the backs of those sheer pussy-bow blouses he so managed to put on the map for fall-winter 2015.

The house’s signature red and green was used to strong effect, as were Gs that featured on backless shoes – in fact the accessories offering, what with its brooches and pearl-punched shoes, shimmering shades and more – was a magpie’s dream, expensive vintage.

Giles Spring/Summer 2016 ready-to-wear collection – London Fashion Week

22/09/2015 | Syuzena Pitz

Giles Spring/Summer 2016 ready-to-wear collection was shown in London Fashion Week, September 21,2015.

The setting for Giles Deacon’s spring show was London’s Banqueting House, an ornate building that’s part of the 17th-century Whitehall Palace, complete with a Rubens ceiling. The lavish location suited his high-drama collection. Runway veterans including Eva Herzigova, Erin O’Connor and Karen Elson snaked around the vast room wearing often fantastical gowns whose shapes evoked everything from ruffled petticoats to Elizabethan silhouettes.

One satin bustier dress was structured with stiff panniers, and intricately embroidered with flowers, while another standout worn by Elson was done in a purple abstract print, with laser-cut edges that looked as if they had been charred by fire, and fan of material at the back that resembled unfurled peacock feathers.

Even Deacon’s calmer exits were still statement-making, as in a body-hugging, bias cut gown with a train, or a silk petticoat dress with tiered, billowing skirts. The collection was beautiful and arresting, and while its historical opulence overwhelmed real-world dressing, this also gave it an otherworldly, romantic Appeal.