Mugler Spring/Summer 2016 ready-to-wear collection -Paris Fashion Week

Militarism, that was a prevalent theme in  David Komá’s  collection yesterday.Donatella Versace just launched her martial-themed spring-summer 2016 collection.. I’s easy to understand why some designers makes military theme so often: the well done military collections can look very sexy and exactly this the most women likes. It can seems contradictory in an industry based on generating Innovation
Komá  explaned it in his way – “We have such incredible girls here, and it’s about being inspired by them. Wanting them to look cool, to look fresh, and to enjoy clothes.”
His Inspiration seems to be  all Military Service:  The first wave was naval, an interplay of navy and white with decorative insignia buttons on looks that included an angled peak-lapel, three-button, double-breasted jacket and minidresses and this  rearranged the fold and contrast of traditional sailor suits. As second  came the army; the olive section included a cutaway backless dress in leather—the top and bottom half linked by a clasp of three gleaming officer stripes. Soft kicky trousers were topped with deconstructed bodices, while the classic field jacket was turned into a sleeveless minidress with silk poacher pockets—a skinny belt peppered with eyelets cinched the waist. And than came the third part : the Glamour-  The cocktail contingency was, as ever, well catered for with this collection and next season his customers have something to wear with it. Yesterday was also Koma’s debut bag collection for the Mugler House that took shape in architectural shapes with metal frames to complement the collection.

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Junya Watanabe Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

Junya Watanabe unveiled his spring/summer 2016 collection. The Show was in the National Museum of Immigration History.
The multinational culture , was it where Watanabe took the Inspiration for his spring/summer collection?
 My review will be posted shortly. See the complete collection now.

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Balenciaga Spring/Summer 2016 ready-to-wear collection -Paris Fashion Week

Designer Alexander Wang left Maison Balenciaga.Today,02.October 2015,he unveiled his last collection designed for the Balenciaga House.Wang will now focus solely on his eponymous fashion house based out of New York.“
Back to Wang’s  last Balenciaga Show:  it seems that his swan song was the freest of any of the collections he did for the house, and the most tender.
„When you know it’s your last anything, you say, ‘Let’s take a risk,’ what do you have to lose?” Wang said backstage. “At a house that’s known for innovation, I thought, ‘Let’s think about it the opposite way, let’s think about fabrics and shapes that feel supple and simple, but approach them in an artisanal, couture way.’ ”
Ivory silk-satin dresses streamed in ruffles, while white feather garlands were wrapped and draped and appliquéd on layered tops, smocked cotton summer dresses and playsuits. Elsewhere, there were beautiful scoop-back, finely knitted wool slips with embroidered lace inserts; sumptuous matelassé jackets and lace hotel-room style slippers, all of which glided out on a soft, dusty pink carpet beside gently rippling water installations. Every look was a dreamy shade of white, from the ruffled slip dresses to the low-slung trouser and crop top pairings.

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Undercover Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

 Undercover designed by Jun Takashi unveiled spring/summer  2016 collection . The showwas  at the Cirque d’Hiver, in Paris,of course.
Jun Takahashi’s Undercover collections usually have a message, but you don’t have to get his deeper meanings to appreciate what he does. „The people need to be strong,” he said. His backstage sentiments jibed with a soundtrack that featured a live version of the Rolling Stones’s song for the have-nots, “Salt of the Earth.”
Takahashi came at his insurrectionary message both subtly and less so. To start, he mashed up jackets and coats with backpacks to give his tailoring a ready-for-battle attitude. There were zip-up pockets front and back and on the hips; some jackets were so transformed that their fronts were mere straps covering bare breasts. It could’ve been a silly exercise, but Takahashi is a clever tailor, with a wicked sense of humor. In another sign he’s down with the people, he co-opted low-culture concert T-shirts for high-fashion purposes. The Stones’s young faces stared out from inside the four suits of a card deck on a miniskirt and at the hems of pants. For every “have-not,” there’s a “have.” Takahashi turned playing-card royals into a print on blazers with the kings’ and queens’ eyes blacked out like the don’ts on a do’s-and-don’ts list.

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Christian Dior Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

Raf Simons left nothing unconsidered for his Dior Spring/Summer 2016 Show today (02 October,2015), from the stunning venue to the starry front row. As for the clothes, they were a tender take on Dior  house codes. Dior created a man-made hill in the center of the Louvre’s Cour Carrée covered with 400,000 delphiniums as its show venue this season.
The scene provided an elegant backdrop for Dior’s VIP arrivals, includingEmilia Clarke,Marisa Berenson,Elizabeth Olsen and Simons muse Hanne Gaby Odiele , who took to lying down in the flowers before the Show.
And then there was Rihanna . Wearing a Fall 2015 Haute Couture coat and aviator sunglasses, Rihanna took her way to the front row, drawing plenty of paparazzi Attention.
The show opened with Dior’s new favorite model, Sofia Mechetner. You’ll remember her as the Israeli teen who met Simons by chance in a Dior boutique and went on to sign a six-figure contract with the house.Every look was carried by the same shoe silhouette, an ankle-strap mule with a pointed toe and accentuated buckle detailing.The Dior sequin turtleneck from Pre-Fall 2015 collection – is the must-own item among the fashion set today-it will be soon  replaced by the cropped sweaters with scalloped edging Simons sent out today.The sheer trend continued at Dior, with transparent floor-length dresses in stripes layered over prim ivory underpinnings.
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