Fendi Spring/Summer 2016 ready-to-wear collection was shown Milan Fashion Week, September 24.2015.
As always Karl Lagerfeld and Silvia Fendi come up with for their Spring/Summer collections considering that this is a Brand famous for its expertise in the leather and fur , who cares that this two materials must be wear in the cold weather.
About collection:
Big sleeves and high necks, there is an Edwardian Inspiration in Fendi collection ,even slouchy bombers getting a historical and voluminous revamp with billowing leg-of-mutton sleeve Action.The colours are red, coral, white, and is moves on through to teal and black. Pockets and brace details are thickly stitched into place or appeared stapled ; cut-outs flashed flesh so that an expanse of back is reveale behind or at the waist; thick suede latticework for neat boxy jackets; gleaming petals punctuating bodices.But this toughness, this edge, was counterbalanced by those billowing blouses and gowns that invited a breeze to pass on through them. And as always at a Fendi show, the eye is on the lookout for new-season accessories. Here boxy bags held in the hand with just a hint of a strap to slip your fingers through to keep them close at all times – for, let’s face it, you never really want to let a Fendi bag out of your sight!
Max Mara Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 24,2015.
This season the muse role is played by sailors of the sea. A masculine genre, which alsways looks great on confident women who prefer comfort over frivolous trends. But what is really enticing about the mariner theme itself, is that it conjures a spirit of travel, new beginnings, and escapism. Huge duffle sacks were ready for a summer voyage , rope cord fastened through the necklines and trousers were brass-buttoned for On The Town Appeal. Stripes in red and blue of course ticked the nautical box; and T-shirts sported inky porthole illustrations.
Francesco Scognamiglio Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, in the Piazza Duome, Salone Arengario. September 23, at 8.00 p.m.
Scognamiglio is very famous in Italy (and around the world) His clothes are the conviction with which he speaks. The press likes him and the press release published a quote from him, saying how delighted he is that fashion has the ability to continue the storytelling of Italian excellence. This country takes fashion extremely seriously, and many think Milan is still the international capital of fashion. Does it have the best fashion designers in the world- maybe, for sure the most of the best Fashion Maisons are italian… Is it the home of the best sculptors in the world, of all time- yes. And this we saw at Scognamiglo: sculpture coming alive, as wearable Fashion.
Francesco Scognamiglio Born in Naples and he is deeply in love with Naples, the city of staggering beauty and louche-ness, opposites that coexist in a web of inextricable contradictions. This clearly feels quite natural for the designer, who delves with abandon into Naples’s history and decadent heritage for inspiration. All that was apparent in his Spring collection, in which he referenced the esoteric Sansevero Chapel, a 16th-century masterpiece that hosts the statue of the Veiled Christ—a marble wonder that looks so incredibly real, as if it were made of actual flesh draped in the thinnest of fabric. “Theater, mirrors, artifice,” said the designer backstage, pointing out wispy, ruffled dresses in white and shell pink, light as a feather and almost liquid in their sensuality. Transparent Chantilly lace and inconspicuous point d’esprit conjured up a romantic feel for fluctuating long dresses, exuding reminiscences of boudoirs and 18th-century courtesans—yet they were slashed, layered, and multitiered to modern effect. Black silk mikado jackets with round shoulders felt more substantial; they came inlaid with graphic intarsia inspired by peeling stucco ceilings that looked like cracks through which a delicate jade green lining could be glimpsed. Dresses in white or black liquid satin were printed and embroidered with an oversize iris motif and adorned with an abundance of rosette appliqués; they balanced the overall barely there effect and the nude transparencies of the lineup. The craftsmanship was undoubtedly exquisite. It makes sense that Scognamiglio—backed by a new investor, Malaysian entrepreneur Johann Young—will debut his Haute Couture collection in Paris in 2016, where he’ll finally fulfill a childhood dream.
Alberta Ferretti Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 23,2015.
It is autumn outside Alberta Ferretti’s Show tonight it was about a sandstorm ,her collection brought to life by sand dune sirens who appeared from a desert terrain projection and wafted down a sand-drenched catwalk, upon which fashion’s current penchant for the folksy lace prairie dress continued.
Ferretti this season was bohemian. She has made a specialty of whisper-thin dresses over the years. Usually they have more of a red carpet orientation, but in this collection they came in breezy chiffons with fraying at the edges and as a decorative motif.
Gucci Spring/Summer 2016 ready-to-wear collection was shown in Milan Fashion Week, September 23,2015.
The incoming march of a new generation in Italy has began, and the fashion world finds itself standing back spectating on the sudden arrival of a multicolored, sparkly, life-affirming parade.
For his second collection at Gucci,Alessandro Michele presented a wealth of ideas that firmly and strongly built on what he started to show us his intentions were last season.Michele is having none of the slick Gucci aesthetic that descended down through the tenure of his predecessor and former Boss, Frida Giannini.For sure this collection going to be one very desirable collection and one that will have significant impact on the season ahead.It was his blend of geek-chic still but with solid Gucci accessory references and everything was amped up – from colour to decoration, frills and glitter, shine, sequins and embroidery which dazzled down sheer column flounced dresses or climbed and wound round the backs of those sheer pussy-bow blouses he so managed to put on the map for fall-winter 2015.
The house’s signature red and green was used to strong effect, as were Gs that featured on backless shoes – in fact the accessories offering, what with its brooches and pearl-punched shoes, shimmering shades and more – was a magpie’s dream, expensive vintage.