Francesco Scognamiglio Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

Francesco Scognamiglio Spring/Summer 2016 ready-to-wear collection  was shown in Milan Fashion Week, in the Piazza Duome, Salone Arengario. September 23,  at 8.00 p.m.
 Scognamiglio is very famous in Italy (and around the world) His clothes are the conviction with which he speaks. The press likes him and the press release published a quote from him, saying how delighted he is that fashion has the ability to continue the storytelling of Italian excellence. This country takes fashion extremely seriously, and many think Milan is still the international capital of fashion. Does it have the best fashion designers in the world- maybe,  for sure  the most of the best Fashion Maisons are italian…  Is it the home of the best sculptors in the world, of all time- yes. And this we saw at Scognamiglo: sculpture coming alive, as wearable Fashion.
Francesco Scognamiglio Born in Naples and he is deeply in love with Naples, the city of staggering beauty and louche-ness, opposites that coexist in a web of inextricable contradictions. This clearly feels quite natural for the designer, who delves with abandon into Naples’s history and decadent heritage for inspiration. All that was apparent in his Spring collection, in which he referenced the esoteric Sansevero Chapel, a 16th-century masterpiece that hosts the statue of the Veiled Christ—a marble wonder that looks so incredibly real, as if it were made of actual flesh draped in the thinnest of fabric. “Theater, mirrors, artifice,” said the designer backstage, pointing out wispy, ruffled dresses in white and shell pink, light as a feather and almost liquid in their sensuality. Transparent Chantilly lace and inconspicuous point d’esprit conjured up a romantic feel for fluctuating long dresses, exuding reminiscences of boudoirs and 18th-century courtesans—yet they were slashed, layered, and multitiered to modern effect. Black silk mikado jackets with round shoulders felt more substantial; they came inlaid with graphic intarsia inspired by peeling stucco ceilings that looked like cracks through which a delicate jade green lining could be glimpsed. Dresses in white or black liquid satin were printed and embroidered with an oversize iris motif and adorned with an abundance of rosette appliqués; they balanced the overall barely there effect and the nude transparencies of the lineup. The craftsmanship was undoubtedly exquisite. It makes sense that Scognamiglio—backed by a new investor, Malaysian entrepreneur Johann Young—will debut his Haute Couture collection in Paris in 2016, where he’ll finally fulfill a childhood dream.
 
 
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The Best Runway Looks – London Fashion Week, Spring/Summer 2016 ready-to-wear collections

The London Fashion Week was as always very interesting and a lot of collections were Avantgarde, original and not all of them are really wearable. But Fashion must be not alsways wearable,  it is an Art, and we must remember it always!
I choosed  some Runway Looks i liked. This pieces are wearable, are trendy and they lookig good.  I hope you will like it too?!
Anyway the Milan Fashion Week is started yet , we will see a lot of awesome collections, i’m waiting of my favorite Shows, than i’ll post the runway photos and write reports. I will post collections which i most like! And it will be spectacular i hope!
Than Paris, crem della crem!
But first the best of Runway Looks from London Fashion Week!
Burberry Prorsum3
Burberry Prorsum
Burberry Prorsum2
Burberry Prorsum
Burberry Prorsum
Burberry Prorsum
Versus3
Versus
Versus2
Versus
VERSUS 1
Versus
Vivienne WEstwood Red Label
Vivienne Westwood *Red Label*
Giles 1
Giles
Giles
Giles
Antonio Berardi1
Antonio Berardi
Antonio Berardi
Antonio Berardi
Erdem
Erdem
Unique
Unique
PPQ 1
PPQ
PPQ
PPQ
Cristopher Kane
Cristopher Kane

Giles Spring/Summer 2016 ready-to-wear collection – London Fashion Week

Giles  Spring/Summer 2016 ready-to-wear collection was shown in London Fashion Week, September 21,2015.
The setting for Giles Deacon’s spring show was London’s Banqueting House, an ornate building that’s part of the 17th-century Whitehall Palace, complete with a Rubens ceiling. The lavish location suited his high-drama collection. Runway veterans including Eva Herzigova, Erin O’Connor and Karen Elson snaked around the vast room wearing often fantastical gowns whose shapes evoked everything from ruffled petticoats to Elizabethan silhouettes.
One satin bustier dress was structured with stiff panniers, and intricately embroidered with flowers, while another standout worn by Elson was done in a purple abstract print, with laser-cut edges that looked as if they had been charred by fire, and fan of material at the back that resembled unfurled peacock feathers.
Even Deacon’s calmer exits were still statement-making, as in a body-hugging, bias cut gown with a train, or a silk petticoat dress with tiered, billowing skirts. The collection was beautiful and arresting, and while its historical opulence overwhelmed real-world dressing, this also gave it an otherworldly, romantic Appeal.

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Christopher Kane Spring/Summer 2016 ready-to-wear collection – London Fashion Week

Christopher Kane  Spring/Summer 2016 ready-to-wear collection was shown in London Fashion Week on September 21, 2015.
Christopher Kane surpised us  each season  with something entirely new to keep us on our toes. The interesting thing now is that those varied and brilliant ideas  have built up as one to become his signature, a repertoire of techniques. When you see them, you know they’re his and this collection was especially clear in showing them off.
There was that neon lace, which more recently has slipped into his pre-collections, there were primary bolts of colour to configure with jagged and purposely-jarring appliqué and chaotic embroidery. It was a hyper take on homespun with stitching squiggling out like handwriting across a knit or a sheath of a dress. We knew we’d seen the idea once before, but here it was renewed and played out to entirely different effect. That was the point.
A kapow colour palette led the way for a collection that was about taking things apart and piecing them back together, the designer cited. „Crash and repair, that’s what we kept saying to each other.“
The train of thought followed what has been a difficult few months for Chris and Tammy, whose mother sadly passed away just before their show last February. So just as much as this was a collection inspired by John Chamberlain’s sculptures and Scottie Wilson, it was one that came from an emotional point of view. „The car crash became the metaphor,“ said Kane in his show notes.
And so that idea of damage and repair, of building back up, could be seen in the pieces, which were patched and pieced together: splaying fringing; plastic pockets; wafting layers of sheer with lace to trace the body; dresses fastened in place by plastic clasps, a brilliantly crude and inventive use of them.

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KTZ Spring/Summer 2016 collection – London Fashion Week

KTZ  designer Marjan Pejoski is back to London Fashion Week with the KTZ Spring/Summer 2016 ready-to-wear collection . Last collection, fall/winter 2015-2016  was shown in New York Fashion Week.
Pejoski’s exploration of urban street culture continued into the darker back alleys of an unspecified dystopia.
In the new KTZ collection the label’s signature club kid vibe remained in place, but Pejoski cashed in the nomadic vibe of previous collections and conjured a gritty urban feeling in its place. OUT with the tribal motifs , IN with chain-link Patterns.

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