Chloé Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

01/10/201501/10/2015 | Syuzena Pitz

Chloé threw something of a curveball today,01. October 2015. Instead of the wistful silhouettes came tracksuits, sporting stripes and carnival colours referencing a different dimension of the 70ies, the decade the house continues to reinvent so well. It’s not what you would immediately associate with the romantic Chloé girl, but as Clare Waight Keller explained after the show, this was about finding a new optimism.The usual lace slips were grounded with jogging bottoms; the signature cheesecloth maxi-dresses came not in cornflower blue and toffee hues but in sherbet shades; and bootcuts were replaced by easy, low-slung harem pants. It was relaxed and easy, as though Chloé’s girl was a girl on her gap year . Chloé unveiled us very youthful,really sophisticated high summer collection

Vionnet Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

01/10/201501/10/2015 | Syuzena Pitz

According to the press notes at the show, the new Vionnet collection was inspired by curves and by dancing. That’s the thing about semiotics, though: To each her own! An alternative reading of Goga Ashkenazi’s latest outing for the label was vestal virgins circa 2500 A.D. attending a postapocalyptic prom. That seemed as coherent a logic as any for this rather daffy group of clothes, what with the gartered bodysuits and sheer, floor-sweeping overskirts, plissé gowns worn with backpacks, and feral leathers and capes.

The plissé and the Grecian draping were a nod to Madeleine Vionnet, of course, and she would have had no trouble identifying her handwriting in a simple column dress of draped nude and ivory silk, or in the bone white draped frock with jewelry embellishment modeled at the close of the show by Saskia de Brauw. She might even have nodded in recognition at a micro-mini plissé dress—an ace look for a would-be modern Artemis. There were other nice pieces scattered throughout—the fabrics here were choice, and it was hard not to like most of them—but the button-down-plus-bubble-skirt and bodysuit-plus-anything propositions were a seriously hard sell. Ashkenazi appears to want to update the Vionnet formula, make it seem aggressively modern; the trouble with that is, Madeleine Vionnet’s ideas are timeless and look modern still. Witness the appeal of the simplest, most signature Vionnet looks here.

Maison Margiela Spring/Summer 2016 ready-to-wear collection designed by John Galliano – Paris Fashion Week

30/09/201503/10/2015 | Syuzena Pitz

John Galliano had unveiled us his second ready-to-wear collection for Maison Martin Margiela. Galliano proposed us chic and luxuriuos looks because recycling and deconstruction can still be done so authentically,so perfect ans also be commercial, especially when it will be done by the genie as John Galliano is.

Let us speak about the show and about „new“ Galliano : also if he didn’t come out physically, this show was a kind of coming out. It was a re-emergence of an enigma. Spring/Summer 2016 brings us one step closer to the Galliano we knew in the early days – going full throttle, full of ideas and enjoying the joie de vivre of it all. In short, this show was near incredible. The first exits poured out onto the catwalk. Previous collections at Maison Margiela have seen Galliano engage with a bag lady kind of intellect Today’s version of events evoked down and out heiress. In the first part the ornate crystal jewellery was bricolaged onto the tops of ears and pinned in swathes across knee-lenth coats and slightly padded and roomy 1950s-style gowns. Paris shoes leaned back in an arched Versaille style, whilst fishnet tights were pulled over the entire shoe, and added to the unhinged styling.

There were also men on the womenswear runway , which is a new thing for the re-launched house. This is proof that the label wants to symbiotically promote dual narratives. Furthermore, due to some of the men wearing dresses, it was a signifier of the house . The mood of the designer’s avant-garde show was captured perfectly by its diverse, gender-fluid cast. While girls like Paula Galecka,Ysaunny Brito and Sora Choi, reflected a youthful, almost innocent ideal of beauty, models Maarten Convens, Vincent Beier, Carl Hjelm Sandqvist, and Théo Bianconi presented a captivating androgyny.

The final part of the show looked East for inspiration as traditional Geisha garb was transformed by Galliano into something stiffer and more structured than the original silk Kimonos. Where purses replaced obi bows, and kitten heels with pronounced posteriors were worn instead of traditional geta sandals. The result was oddly lovely and completely apart from anything else currently happening in fashion.

As ever Galliano’s hand could be seen in all. Making treasured pieces, each of which appear individual, has been his marker long before Margiela but it is one that’s flourishing as he continues to re-establish himself and the house

The Best of Milan Fashion Week – Spring/Summer 2016 Trends and Runway Looks to love

29/09/201529/09/2015 | Syuzena Pitz

I choosed some Runway Looks for you from different Designers. I hope you’ll like same i do.

The Trends for spring/summer 2016 seems to be tasteful transparency ,sheer, fine emboidery and seaside motifs and animal prints Of course silk, chiffon and yes,don’tbe surpise- leather.

Gucci 1 — GUCCI S/S 2016

Gucci — GUCCI S/S 2016

Alberta Feretti — ALBERTA FERRETTI S/S 2016

Fendi — FENDI S/S 2016

Prada — PRADA S/S 2016

Emilio Pucci — EMILIO PUCCI S/S 2016

Moschino — MOSCHINO S/S 2016

Emporio1 — EMPORIO ARMANI S/S 2016

Emporio 2 — EMPORIO ARMANI S/S 2016

DSquared — DSQUARED2 S/S 2016

Versace — VERSACE S/S 2016

Versace 1 — VERSACE S/S 2016

DG 2 — DOLCE&GABBANA S/S 2016

Dolce Gabbana — DOLCE&GABBANA S/S 2016

Trussard — TRUSSARDI S/S 2016

G Armani 1 — GIORGIO ARMANI S/S 2016

G Armani — GIORGIO ARMANI S/S 2016

G Armani2 — GIORGIO ARMANI S/S 2016

G Armani 3 — GIORGIO ARMANI S/S 2016

Giorgio Armani Spring/Summer 2016 ready-to-wear collection – Milan Fashion Week

28/09/201529/09/2015 | Syuzena Pitz

Il Re, Mr. Giorgio Armani, did it again! His Show, his collection was the best what we saw on the Milan’s catwalks during Milan Fashion Week. It is a Happening!

Giorgio Armani continued his 40th-anniversary festivities yesterday afternoon ( 28.09.2015) with a press conference and lunch in honor of his new self-titled book of family photographs and personal remembrances. The book he said, answering questions from a large audience, gathered after his catwalk Spring Summer 16 show, inside the slick concrete lined Armani headquarters in Milan (to this day he proudly prefers to converse in his mother tongue, despite a global empire worth £5 billion), were “the pulses, the remembrances of my past,“ the designer elucidated. For those born in the 90ies, it is hard to comprehend what Armani brought to fashion 40 years ago. „I started my own revolution,“ he said. „A subtle one but also very strong. I changed the rules of fashion from the previous 20, 30 years,“ he continued. „I showed that you could wear a flat shoe with evening wear; I added softness to men’s clothes. And I envisaged that women could dress like men but with great femininity.“

And we saw this yesterday, during the Show.Elegant, chic daywear and evening dresses, . that was the Giorgio Armani spring/summer 2016 is about. That’s why Armani is still the best,that’s why we love him and his design.

All the elements that have made his name synonymous with discrete elegance were there in his show yesterday ( if you didn’t see the live Streaming, i advice to find the full Show on youtube). There was a play on silhouette, the body softened, disguised and also revealed by cleverly juxtaposed fabrics, layered one over the other. Such as ribbed organza trousers worn under suit jackets or silk dresses; a classic white work shirt was re-invented as a loose silk shirt dress, with billowing pockets worn over a sheer black silk slip. There was also a playful floral jumpsuit in bright vermillion, while crisp shorts or capacious trousers were matched with bolero jackets.

Gems cascaded down pretty party dresses, danced across bodices in red, pink, emerald and white crystal or were bunched together in sparkling orbs. Skirts were voluminous, and above the knee, in midnight blue organza, gathered and ruched at the waist. The customers will again invest in his tailoring next summer. There was something for every women! Wear Armani , that what every woman are dreaming for.