Runway Looks S/S 2017

Moschino Spring/Summer 2017 : Valley of the Dolls

| Syuzena Pitz
Jeremy Scott unveiled Moschino S/S 2017 collection . See the collection now. The show review will be posted soon.

Fendi Spring/Summer 2017

| Syuzena Pitz
After grandios haute couture show in Rome this summer,Karl Lagerfeld and Silvia Venturini Fendi came back to Milan with Fendi spring/summer 2017 quirkily beautiful ready-to-wear collection.
See the collection now. The show  review of  will be posted soon.
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Philipp Plein offers „Alice in Ghettoland“ for Spring/Summer 2017

| Syuzena Pitz
Plein’s set was a pastiche: of Lewis Carroll magic mushrooms, of a giant garden troll with “pimp” spelled out across his shirt and Plein’s double-P logo on his hat, of ice cream trucks, of a bare-chested landscaper, and of sudsed-up shirtless car wash men. A quartet of young kids scampered around eating candy and knocking over a lamppost, oblivious to the NC-17 lyrics on the sound system. The handymen who fixed that lamppost wore shirts. Giant carnival swings towered over it all. Every Plein’s show is an event, He had a roller coaster on his Fall 2015 runway. A year before that he hired Rita Ora to emerge from a smoking car and sing “Facemelt.” This time it was Fergie and friends who kicked things off, propped up on the back of a low-rider convertible.
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Gucci Spring/Summer 2017

| Syuzena Pitz
Gucci show space was glittered with mirrored sequins that moved and reflected, the curvy runway was marked with Gucci Web strip and stars. The music and the mood, the models in the colourful dresses, all this makes Alessandro Michele’s Gucci show at the beggining of Milan Fashion Week to the best show of Fashion Month.
See the Gucci S/S 2017 collection now.The show report will be posted later.

 

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Mary Katrantzou Spring/Summer 2017 collection or returning to her design roots.

| Syuzena Pitz
Katrantzou’s earliest collections, rich with dazzling trompe l’oeil, created one of the most distinctive design signatures of the past decade, so distinctive, in fact, that her efforts to move on have been dogged by that early success. With her spring/summer 2017 collection, Mary Katrantzou  snapped back to own who she is: a great print designer, and a Greek one.“It’s funny, I never wanted to use classical Greek art, because being from there, it seemed too obvious,” she said with a shrug after her show. “But this time, I thought, ‘Why not?’She looked back to her childhood visit to the ancient palace of Knossos, on Crete, the center of the Minoan civilization. Mary Katrantzou transposed the profiles of Minoan  goddesses   onto the bodices of dresses  and  printed them onto shimmery chain-mail tunics.

 

Images by INDIGITAL