Chloé Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

01/10/201501/10/2015 | Syuzena Pitz

Chloé threw something of a curveball today,01. October 2015. Instead of the wistful silhouettes came tracksuits, sporting stripes and carnival colours referencing a different dimension of the 70ies, the decade the house continues to reinvent so well. It’s not what you would immediately associate with the romantic Chloé girl, but as Clare Waight Keller explained after the show, this was about finding a new optimism.The usual lace slips were grounded with jogging bottoms; the signature cheesecloth maxi-dresses came not in cornflower blue and toffee hues but in sherbet shades; and bootcuts were replaced by easy, low-slung harem pants. It was relaxed and easy, as though Chloé’s girl was a girl on her gap year . Chloé unveiled us very youthful,really sophisticated high summer collection

Dries Van Noten Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

30/09/201530/09/2015 | Syuzena Pitz

“This season it was really about the flamboyant woman – she’s not just eccentric, because that can be old with 25 cats,” said Van Noten backstage. “She wants to live, she wants to show herself, she wants to enjoy life. She knows how to mix things and she dares to.”

A master of mixing things up himself, today’s show saw one of Noten’s personal passions realised: to have a live orchestra play the score to his show – a familiar yet distorted melody with a punchy baseline.

Clashing teal with mustard, purple with hot pink, orange with gold, and ,and and…, it was a positive riot of juxtapositions ,and that’s before the fabrics even come into it. Raised jacquards, satin ruffles, embellished tweed checks and lashings of pleated, tiered and frilled tulle – it was the grown-up equivalent of raiding the dressing-up box, although under Noten’s watchful eye, the result looks really good.

Maison Margiela Spring/Summer 2016 ready-to-wear collection designed by John Galliano – Paris Fashion Week

30/09/201503/10/2015 | Syuzena Pitz

John Galliano had unveiled us his second ready-to-wear collection for Maison Martin Margiela. Galliano proposed us chic and luxuriuos looks because recycling and deconstruction can still be done so authentically,so perfect ans also be commercial, especially when it will be done by the genie as John Galliano is.

Let us speak about the show and about „new“ Galliano : also if he didn’t come out physically, this show was a kind of coming out. It was a re-emergence of an enigma. Spring/Summer 2016 brings us one step closer to the Galliano we knew in the early days – going full throttle, full of ideas and enjoying the joie de vivre of it all. In short, this show was near incredible. The first exits poured out onto the catwalk. Previous collections at Maison Margiela have seen Galliano engage with a bag lady kind of intellect Today’s version of events evoked down and out heiress. In the first part the ornate crystal jewellery was bricolaged onto the tops of ears and pinned in swathes across knee-lenth coats and slightly padded and roomy 1950s-style gowns. Paris shoes leaned back in an arched Versaille style, whilst fishnet tights were pulled over the entire shoe, and added to the unhinged styling.

There were also men on the womenswear runway , which is a new thing for the re-launched house. This is proof that the label wants to symbiotically promote dual narratives. Furthermore, due to some of the men wearing dresses, it was a signifier of the house . The mood of the designer’s avant-garde show was captured perfectly by its diverse, gender-fluid cast. While girls like Paula Galecka,Ysaunny Brito and Sora Choi, reflected a youthful, almost innocent ideal of beauty, models Maarten Convens, Vincent Beier, Carl Hjelm Sandqvist, and Théo Bianconi presented a captivating androgyny.

The final part of the show looked East for inspiration as traditional Geisha garb was transformed by Galliano into something stiffer and more structured than the original silk Kimonos. Where purses replaced obi bows, and kitten heels with pronounced posteriors were worn instead of traditional geta sandals. The result was oddly lovely and completely apart from anything else currently happening in fashion.

As ever Galliano’s hand could be seen in all. Making treasured pieces, each of which appear individual, has been his marker long before Margiela but it is one that’s flourishing as he continues to re-establish himself and the house

Anthony Vaccarello Spring/Summer 2016 ready-to-wear collection – Paris Fashion Week

30/09/201530/09/2015 | Syuzena Pitz

Arrivederci Milan Fashion Week,!Bonjour Paris Fashion Week spring/summer 2016. Now that we’ve seen all the wonderful shows and presentations that took place throughout the Italian fashion capital, we’ll listed our favorite fashionable showcases from the Paris catwalks.

For a spring season, there’s been remarkably little heat on the runway. There was one more or less sexless show after another, then along comes Anthony Vaccarello.

Anthony Vaccarello, belgian-Italian designer, who is also the creative director of the Versus Versace, kicked off Paris Fashion Week with a spring-summer 2016 collection that showed plenty of skin without missing the fashion element. To that end, he made a big push into denim, the entry-level price-point item that can really goose a brand’s bottom line. High-waisted styles, one accessorized with a denim belt that grazed the rib cage, will be about as forgiving as his hip-high slits, but there were loose-fitting boyfriend jeans in the mix that will appeal to a broader swath of body types.

Edie Campbell opened Anthony Vaccarello’s spring show in an Army green canvas jacket, its pert collar turned up, and matching wrap miniskirt. Cropped jackets had a vaguely military vibe, and mini kilts, fastened with skinny black-leather straps, deliberately didn’t close all the way, leaving a panel of flesh for all to see. Vaccarello introduced pop art inspired tunics and tanks featuring imagery of Anja Rubik decorated with colorful studs. Asymmetric hems and plunging necklines added even more sex appeal to the spring outing. He made a big push into denim, the entry-level price-point item that can really goose a brand’s bottom line. High-waisted styles, one accessorized with a denim belt that grazed the rib cage, will be about as forgiving as his hip-high slits, but there were loose-fitting boyfriend jeans in the mix that will appeal to a broader swath of body types.

Vaccarello also put his first bags on the runway. The gold detailing on a pair of cross-body styles echoed the hardware that accented this collection’s strong military-influenced tailoring and its drapey jersey numbers.

The Best of Milan Fashion Week – Spring/Summer 2016 Trends and Runway Looks to love

29/09/201529/09/2015 | Syuzena Pitz

I choosed some Runway Looks for you from different Designers. I hope you’ll like same i do.

The Trends for spring/summer 2016 seems to be tasteful transparency ,sheer, fine emboidery and seaside motifs and animal prints Of course silk, chiffon and yes,don’tbe surpise- leather.

Gucci 1 — GUCCI S/S 2016

Gucci — GUCCI S/S 2016

Alberta Feretti — ALBERTA FERRETTI S/S 2016

Fendi — FENDI S/S 2016

Prada — PRADA S/S 2016

Emilio Pucci — EMILIO PUCCI S/S 2016

Moschino — MOSCHINO S/S 2016

Emporio1 — EMPORIO ARMANI S/S 2016

Emporio 2 — EMPORIO ARMANI S/S 2016

DSquared — DSQUARED2 S/S 2016

Versace — VERSACE S/S 2016

Versace 1 — VERSACE S/S 2016

DG 2 — DOLCE&GABBANA S/S 2016

Dolce Gabbana — DOLCE&GABBANA S/S 2016

Trussard — TRUSSARDI S/S 2016

G Armani 1 — GIORGIO ARMANI S/S 2016

G Armani — GIORGIO ARMANI S/S 2016

G Armani2 — GIORGIO ARMANI S/S 2016

G Armani 3 — GIORGIO ARMANI S/S 2016